I don't think so Going back to Cali, stylin, profilin Growlin, and smilin, while in the sun The top is down, on the black Corvette And it's fly, cause it's sittin on Dayton's Laurents steering wheel, plushed out, gold-leaf phantom top and three girls waiting VRRRROOM engine's blowin, the chrome, is shining Passing all the cars on the way Movement of the wind, back wheels spin Pop in a cassette and push play I'm going back to Cali, Cali, Cali I'm going back to Cali - yea y'all, I don't think so I'm going back to Cali, Cali, Cali I'm going back to Cali. hmm, I don't think so I'm going back to Cali, Cali, Cali I'm going back to Cali. Atropolis (Queens) pays homage with a heavy stripped down edit of Julio y su Combo’s “Lamento Cumbiambero” and Los Chicos Altos (Barcelona) add in some rub-a-dub flavor on Los Hermanos Tuiran’s “Lluvia.” In addition we explore national treasures and the lesser known, new styles of chirimía, porro, pachanga, salsa and cumbia as interpreted by Sumohair (Los Angeles), Gabe Real (Pomona CA) and Greece duo SUPERSAN (aka Panama Cardoon & Mister Kentro).I'm going back to Cali, Cali, Cali I'm going back to Cali. Dance Kill Move (Stockholm, Sweden) adds some serious low end to Los Jovenes de Hierro’s classic charanga, “Ritmo Sabroso.” Ubiquity recording artist, currently residing in Colobmia, Bosq and Yukicito of La Junta (Los Angeles) contribute absolute party starters, while El Dusty’s “Mi Chola” give Los Teen Agers a taste Corpus Christi, TX. Fee from Los Angeles’ beat collective, My Hollow Drum. Our trip begins with folklore Colombiano favorites Los Corraleros de Majagual over a crunchy boom-bap by Co. These records were bought in Cali, Colombia during Patronio Alvarez Festival last year, hence the name. Going Back to Cali: Cut Chemist’s Colombian Crates Remixed is MORE THAN CUMBIA, its a reflection on a tropical culture rich in spirit, creativity and passion strung together with field recordings found along the way. Upon return from a recent trip to the deepest of crates in Colombia, Cut Chemist and Beats of All-Nations sought out to remix a unique set of dusty records, each different from the last, with an equally diverse list of producers.
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